In a year without any movies completely breaking away from the pack as an obvious Best Picture frontrunner, we head into Sunday’s Academy Awards with a sense of mystery surrounding most of the top awards.
It’s a bit of a shame the year’s best picture, The Master, didn’t even warrant a nomination, but such is the way it goes with challenging films from Paul Thomas Anderson. The year’s next best, Django Unchained, will have to be content with getting a nomination, which, given the content of the film, still is a bit surprising to me.
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