Springsteen’s Wrecking Ball a call to action and a lyrical/musical punch to the gut

Bruce Springsteen’s more overtly political albums tend to have a quieter feel, as though the music couldn’t match the vitriol of the lyrics. In albums like Nebraska and The Ghost of Tom Joad, Springsteen mostly armed himself with an acoustic guitar and a harmonica, painting stories of bleakness in which the promise of hope was as sparse as the music.
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